![]() Scientific influences are ultimately more complex, of course, than can be rendered in a book of this kind. This approach should be helpful for the stimulation of curiosity in teaching. Important concepts are included in this way, such as deforestation and its consequences, or the powers of humans as ecological agents. While the leading focus is the journey through parts of the Americas, there is scope for including earlier and later experiences. Wulf quickly brings up Humboldt’s extraordinary and laudable capacity for making connections between phenomena and that theme provides a main core for the treatment in the book. These cannot escape issues of historiography. ![]() But since the dialogs between these two figures are imagined ones, there are heavy elements of storytelling here. While other authorities are treated, mainly important scientific ones, the book is structured above all around the journey made by Humboldt with his French collaborator and assistant Aimé Bonpland to the Americas between 17. ![]() The format is that of a comic book and the work is classified as graphic nonfiction, a challenging category in classification. ![]() T his work treating humboldtian scientific exploration, or adventuring, stems from a rich research collaboration between Andrea Wulf, the author of a renowned biography of Alexander von Humboldt, and Lillian Melcher, a graduate of the Parsons School of Design, who undertook the graphic work. ![]()
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